mrsrandallboggs:

osuphantom:

nadiaoxford:

cannonbarrage:

nadiaoxford:

I submit the intro for Hunchback of Notre Dame beats Circle of Life raw.
Especially since the former doesn’t have flocks of pink birds that immediately make me think, “Sure, Disney, you weren’t influenced at all by Osamu Tezuka. Tell us another one.”

This movie was surprisingly hardcore for a Disney retelling of Victor Hugo’s really screwed up story.
It also did a ton of great stuff with God and religion and Catholicism that somehow managed to still be about people and not bring “Why Religion Sucks” into the whole thing, which is aces.

One thing that surprises me is how well the animation has aged. Strangely enough, it looked weird at the time; we weren’t really used to traditional animation blended with computer backgrounds. But now that pretty much everything is computer animated, you can really appreciate how effin’ gorgeous the Cathedral backgrounds are.
Also, God Help the Outcasts is the most honest song featured in a Disney movie. “Honest” meaning it doesn’t feel manufactured specifically to be played in a suburbanite van ferrying kids to McDonalds. It’s raw, open, and genuine.
(Needless to say, there is nothing suburban about Hellfire, ho ho ho. Will we ever again see a Disney villain essentially sing, “Help me Mary, I have an unholy erection?”)

Highly underrated Disney movie. 

yeah this movie is fucking intense
mrsrandallboggs:

osuphantom:

nadiaoxford:

cannonbarrage:

nadiaoxford:

I submit the intro for Hunchback of Notre Dame beats Circle of Life raw.
Especially since the former doesn’t have flocks of pink birds that immediately make me think, “Sure, Disney, you weren’t influenced at all by Osamu Tezuka. Tell us another one.”

This movie was surprisingly hardcore for a Disney retelling of Victor Hugo’s really screwed up story.
It also did a ton of great stuff with God and religion and Catholicism that somehow managed to still be about people and not bring “Why Religion Sucks” into the whole thing, which is aces.

One thing that surprises me is how well the animation has aged. Strangely enough, it looked weird at the time; we weren’t really used to traditional animation blended with computer backgrounds. But now that pretty much everything is computer animated, you can really appreciate how effin’ gorgeous the Cathedral backgrounds are.
Also, God Help the Outcasts is the most honest song featured in a Disney movie. “Honest” meaning it doesn’t feel manufactured specifically to be played in a suburbanite van ferrying kids to McDonalds. It’s raw, open, and genuine.
(Needless to say, there is nothing suburban about Hellfire, ho ho ho. Will we ever again see a Disney villain essentially sing, “Help me Mary, I have an unholy erection?”)

Highly underrated Disney movie. 

yeah this movie is fucking intense
mrsrandallboggs:

osuphantom:

nadiaoxford:

cannonbarrage:

nadiaoxford:

I submit the intro for Hunchback of Notre Dame beats Circle of Life raw.
Especially since the former doesn’t have flocks of pink birds that immediately make me think, “Sure, Disney, you weren’t influenced at all by Osamu Tezuka. Tell us another one.”

This movie was surprisingly hardcore for a Disney retelling of Victor Hugo’s really screwed up story.
It also did a ton of great stuff with God and religion and Catholicism that somehow managed to still be about people and not bring “Why Religion Sucks” into the whole thing, which is aces.

One thing that surprises me is how well the animation has aged. Strangely enough, it looked weird at the time; we weren’t really used to traditional animation blended with computer backgrounds. But now that pretty much everything is computer animated, you can really appreciate how effin’ gorgeous the Cathedral backgrounds are.
Also, God Help the Outcasts is the most honest song featured in a Disney movie. “Honest” meaning it doesn’t feel manufactured specifically to be played in a suburbanite van ferrying kids to McDonalds. It’s raw, open, and genuine.
(Needless to say, there is nothing suburban about Hellfire, ho ho ho. Will we ever again see a Disney villain essentially sing, “Help me Mary, I have an unholy erection?”)

Highly underrated Disney movie. 

yeah this movie is fucking intense
mrsrandallboggs:

osuphantom:

nadiaoxford:

cannonbarrage:

nadiaoxford:

I submit the intro for Hunchback of Notre Dame beats Circle of Life raw.
Especially since the former doesn’t have flocks of pink birds that immediately make me think, “Sure, Disney, you weren’t influenced at all by Osamu Tezuka. Tell us another one.”

This movie was surprisingly hardcore for a Disney retelling of Victor Hugo’s really screwed up story.
It also did a ton of great stuff with God and religion and Catholicism that somehow managed to still be about people and not bring “Why Religion Sucks” into the whole thing, which is aces.

One thing that surprises me is how well the animation has aged. Strangely enough, it looked weird at the time; we weren’t really used to traditional animation blended with computer backgrounds. But now that pretty much everything is computer animated, you can really appreciate how effin’ gorgeous the Cathedral backgrounds are.
Also, God Help the Outcasts is the most honest song featured in a Disney movie. “Honest” meaning it doesn’t feel manufactured specifically to be played in a suburbanite van ferrying kids to McDonalds. It’s raw, open, and genuine.
(Needless to say, there is nothing suburban about Hellfire, ho ho ho. Will we ever again see a Disney villain essentially sing, “Help me Mary, I have an unholy erection?”)

Highly underrated Disney movie. 

yeah this movie is fucking intense
mrsrandallboggs:

osuphantom:

nadiaoxford:

cannonbarrage:

nadiaoxford:

I submit the intro for Hunchback of Notre Dame beats Circle of Life raw.
Especially since the former doesn’t have flocks of pink birds that immediately make me think, “Sure, Disney, you weren’t influenced at all by Osamu Tezuka. Tell us another one.”

This movie was surprisingly hardcore for a Disney retelling of Victor Hugo’s really screwed up story.
It also did a ton of great stuff with God and religion and Catholicism that somehow managed to still be about people and not bring “Why Religion Sucks” into the whole thing, which is aces.

One thing that surprises me is how well the animation has aged. Strangely enough, it looked weird at the time; we weren’t really used to traditional animation blended with computer backgrounds. But now that pretty much everything is computer animated, you can really appreciate how effin’ gorgeous the Cathedral backgrounds are.
Also, God Help the Outcasts is the most honest song featured in a Disney movie. “Honest” meaning it doesn’t feel manufactured specifically to be played in a suburbanite van ferrying kids to McDonalds. It’s raw, open, and genuine.
(Needless to say, there is nothing suburban about Hellfire, ho ho ho. Will we ever again see a Disney villain essentially sing, “Help me Mary, I have an unholy erection?”)

Highly underrated Disney movie. 

yeah this movie is fucking intense
mrsrandallboggs:

osuphantom:

nadiaoxford:

cannonbarrage:

nadiaoxford:

I submit the intro for Hunchback of Notre Dame beats Circle of Life raw.
Especially since the former doesn’t have flocks of pink birds that immediately make me think, “Sure, Disney, you weren’t influenced at all by Osamu Tezuka. Tell us another one.”

This movie was surprisingly hardcore for a Disney retelling of Victor Hugo’s really screwed up story.
It also did a ton of great stuff with God and religion and Catholicism that somehow managed to still be about people and not bring “Why Religion Sucks” into the whole thing, which is aces.

One thing that surprises me is how well the animation has aged. Strangely enough, it looked weird at the time; we weren’t really used to traditional animation blended with computer backgrounds. But now that pretty much everything is computer animated, you can really appreciate how effin’ gorgeous the Cathedral backgrounds are.
Also, God Help the Outcasts is the most honest song featured in a Disney movie. “Honest” meaning it doesn’t feel manufactured specifically to be played in a suburbanite van ferrying kids to McDonalds. It’s raw, open, and genuine.
(Needless to say, there is nothing suburban about Hellfire, ho ho ho. Will we ever again see a Disney villain essentially sing, “Help me Mary, I have an unholy erection?”)

Highly underrated Disney movie. 

yeah this movie is fucking intense
mrsrandallboggs:

osuphantom:

nadiaoxford:

cannonbarrage:

nadiaoxford:

I submit the intro for Hunchback of Notre Dame beats Circle of Life raw.
Especially since the former doesn’t have flocks of pink birds that immediately make me think, “Sure, Disney, you weren’t influenced at all by Osamu Tezuka. Tell us another one.”

This movie was surprisingly hardcore for a Disney retelling of Victor Hugo’s really screwed up story.
It also did a ton of great stuff with God and religion and Catholicism that somehow managed to still be about people and not bring “Why Religion Sucks” into the whole thing, which is aces.

One thing that surprises me is how well the animation has aged. Strangely enough, it looked weird at the time; we weren’t really used to traditional animation blended with computer backgrounds. But now that pretty much everything is computer animated, you can really appreciate how effin’ gorgeous the Cathedral backgrounds are.
Also, God Help the Outcasts is the most honest song featured in a Disney movie. “Honest” meaning it doesn’t feel manufactured specifically to be played in a suburbanite van ferrying kids to McDonalds. It’s raw, open, and genuine.
(Needless to say, there is nothing suburban about Hellfire, ho ho ho. Will we ever again see a Disney villain essentially sing, “Help me Mary, I have an unholy erection?”)

Highly underrated Disney movie. 

yeah this movie is fucking intense
mrsrandallboggs:

osuphantom:

nadiaoxford:

cannonbarrage:

nadiaoxford:

I submit the intro for Hunchback of Notre Dame beats Circle of Life raw.
Especially since the former doesn’t have flocks of pink birds that immediately make me think, “Sure, Disney, you weren’t influenced at all by Osamu Tezuka. Tell us another one.”

This movie was surprisingly hardcore for a Disney retelling of Victor Hugo’s really screwed up story.
It also did a ton of great stuff with God and religion and Catholicism that somehow managed to still be about people and not bring “Why Religion Sucks” into the whole thing, which is aces.

One thing that surprises me is how well the animation has aged. Strangely enough, it looked weird at the time; we weren’t really used to traditional animation blended with computer backgrounds. But now that pretty much everything is computer animated, you can really appreciate how effin’ gorgeous the Cathedral backgrounds are.
Also, God Help the Outcasts is the most honest song featured in a Disney movie. “Honest” meaning it doesn’t feel manufactured specifically to be played in a suburbanite van ferrying kids to McDonalds. It’s raw, open, and genuine.
(Needless to say, there is nothing suburban about Hellfire, ho ho ho. Will we ever again see a Disney villain essentially sing, “Help me Mary, I have an unholy erection?”)

Highly underrated Disney movie. 

yeah this movie is fucking intense

mrsrandallboggs:

osuphantom:

nadiaoxford:

cannonbarrage:

nadiaoxford:

I submit the intro for Hunchback of Notre Dame beats Circle of Life raw.

Especially since the former doesn’t have flocks of pink birds that immediately make me think, “Sure, Disney, you weren’t influenced at all by Osamu Tezuka. Tell us another one.”

This movie was surprisingly hardcore for a Disney retelling of Victor Hugo’s really screwed up story.

It also did a ton of great stuff with God and religion and Catholicism that somehow managed to still be about people and not bring “Why Religion Sucks” into the whole thing, which is aces.

One thing that surprises me is how well the animation has aged. Strangely enough, it looked weird at the time; we weren’t really used to traditional animation blended with computer backgrounds. But now that pretty much everything is computer animated, you can really appreciate how effin’ gorgeous the Cathedral backgrounds are.

Also, God Help the Outcasts is the most honest song featured in a Disney movie. “Honest” meaning it doesn’t feel manufactured specifically to be played in a suburbanite van ferrying kids to McDonalds. It’s raw, open, and genuine.

(Needless to say, there is nothing suburban about Hellfire, ho ho ho. Will we ever again see a Disney villain essentially sing, “Help me Mary, I have an unholy erection?”)

Highly underrated Disney movie. 

yeah this movie is fucking intense

(via smooshless)

ghost-of-augustus-waters:

Just passed a group of bros in the parking lot. They were all wearing snapbacks and muscle shirts. As I passed I heard their conversation. The one bro was arguing, “Naw man, Dumbledore was a terrible caretaker, he literally sent kids into fucking death forest for detention. Messed up man.”

(via extraordinarilyextraordinary)

sourwolve:

youtuber gets angry that girls like music 

(via extraordinarilyextraordinary)

sizvideos:

Video
sizvideos:

Video
sizvideos:

Video
sizvideos:

Video
sizvideos:

Video
sizvideos:

Video
sizvideos:

Video
sizvideos:

Video
sizvideos:

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sizvideos:

Video
nateswinehart:

Being good to each other is so important, guys.
nateswinehart:

Being good to each other is so important, guys.
nateswinehart:

Being good to each other is so important, guys.
nateswinehart:

Being good to each other is so important, guys.
nateswinehart:

Being good to each other is so important, guys.
nateswinehart:

Being good to each other is so important, guys.
nateswinehart:

Being good to each other is so important, guys.
nateswinehart:

Being good to each other is so important, guys.
nateswinehart:

Being good to each other is so important, guys.
nateswinehart:

Being good to each other is so important, guys.

nateswinehart:

Being good to each other is so important, guys.

(via extraordinarilyextraordinary)

you-are-my-wire-in-the-oblivion:

haleycomet:
you-are-my-wire-in-the-oblivion:

haleycomet:
you-are-my-wire-in-the-oblivion:

haleycomet:
you-are-my-wire-in-the-oblivion:

haleycomet:
you-are-my-wire-in-the-oblivion:

haleycomet:
you-are-my-wire-in-the-oblivion:

haleycomet:
you-are-my-wire-in-the-oblivion:

haleycomet:

yutoube:

laurenrosedecker:

yutoube:

my hands are really weighing me down maybe you should hold them for a while

I’m so using this

i have it copyrighted

(via mintpenguins)

Let’s play a game!

extraordinarilyextraordinary:

ladymalchav:

thestormypetrelofcrime:

flatbear:

sconesforjustice:

blackestglass:

boneycircus:

foxberryblue:

Stand where you are, look around, and list whatever liquidy thing is closest to you. This is now your fanfic lube.

XD

Actual lube. WINNING. (Possibly TMI?? OOPS)

Dog dish full of water. That’s not good.

spicy noodle soup, pepsi and ketchup. OH GOD NO.

fish tanks

pot pie gravy or water

(I’m eating lunch)

i literally have a bottle of gaviscon next to me oh god oh god

Irn Bru…

trcunning:

earthdad:

ok but give me one good reason why you wouldn’t date Kermit the frog besides that he is a puppet and a frog

I can’t beat Miss Piggy in a fight. She’s very strong and knows karate.

(via extraordinarilyextraordinary)

otter-wraith:

Imagine baby werewolves for a second

Like little babies able to turn into little tiny werewolves

And they act like puppies instead of vicious monsters that eat anything that moves

Little balls of fluff squeak-howling at the moon and play fighting with teddy bears and each other and just. LICKING. EVERY. MOVING. THING.

IMAGINE BABY WEREWOLVES

(via extraordinarilyextraordinary)

theshoutingendoflife:

jaclcfrost:

standing next to sunflowers always makes me feel weak like “look at this fucking flower. this flower is taller than i am. this flower is winning and i’m losing”

Wow you are not ready to hear about trees.

(via extraordinarilyextraordinary)


1956- Gordon Parks documented the everyday lives of an extended black family living in rural Alabama under Jim Crow segregation for Life magazine’s photo-essay “The Restraints: Open and Hidden.” (via)

1956- Gordon Parks documented the everyday lives of an extended black family living in rural Alabama under Jim Crow segregation for Life magazine’s photo-essay “The Restraints: Open and Hidden.” (via)

1956- Gordon Parks documented the everyday lives of an extended black family living in rural Alabama under Jim Crow segregation for Life magazine’s photo-essay “The Restraints: Open and Hidden.” (via)

1956- Gordon Parks documented the everyday lives of an extended black family living in rural Alabama under Jim Crow segregation for Life magazine’s photo-essay “The Restraints: Open and Hidden.” (via)

1956- Gordon Parks documented the everyday lives of an extended black family living in rural Alabama under Jim Crow segregation for Life magazine’s photo-essay “The Restraints: Open and Hidden.” (via)

1956- Gordon Parks documented the everyday lives of an extended black family living in rural Alabama under Jim Crow segregation for Life magazine’s photo-essay “The Restraints: Open and Hidden.” (via)

1956- Gordon Parks documented the everyday lives of an extended black family living in rural Alabama under Jim Crow segregation for Life magazine’s photo-essay “The Restraints: Open and Hidden.” (via)

1956- Gordon Parks documented the everyday lives of an extended black family living in rural Alabama under Jim Crow segregation for Life magazine’s photo-essay “The Restraints: Open and Hidden.” (via)

1956- Gordon Parks documented the everyday lives of an extended black family living in rural Alabama under Jim Crow segregation for Life magazine’s photo-essay “The Restraints: Open and Hidden.” (via)

1956- Gordon Parks documented the everyday lives of an extended black family living in rural Alabama under Jim Crow segregation for Life magazine’s photo-essay “The Restraints: Open and Hidden.” (via)

1956- Gordon Parks documented the everyday lives of an extended black family living in rural Alabama under Jim Crow segregation for Life magazine’s photo-essay “The Restraints: Open and Hidden.” (via)

(via extraordinarilyextraordinary)

ninjasexfarty:

Important, always-relevant comic done by the wonderful Ursa Eyer.
ninjasexfarty:

Important, always-relevant comic done by the wonderful Ursa Eyer.
ninjasexfarty:

Important, always-relevant comic done by the wonderful Ursa Eyer.
ninjasexfarty:

Important, always-relevant comic done by the wonderful Ursa Eyer.

ninjasexfarty:

Important, always-relevant comic done by the wonderful Ursa Eyer.

(via extraordinarilyextraordinary)